Thomas Florschuetz

Thomas Florschuetz, although formally different from Bonfert, puts himself on stage. The camera is for him like scissors, the instruments of his visual creation, his destruction, and his recreation. Florschuetz deconstructs the image of his body by breaking it into pieces in order to recreate a new subject that does not adhere to the canons of anatomy. In doing so, he deconstructs the photographic representation by robbing it of its alleged truthful character.

Catalog of the exhibition 'Surgence: Contemporary Photographic Creation in Germany ', Christian Bouqueret, p. 17.